![]() ![]() I am just one person, and there are countless amazing films that have been made and got numerous awards, were shot on Arri. Since Arri has done that, I also believe that no one knows their SDK better than the people who created it. It is really amazing to see the dedication and commitment Arri has to their Camera platform and all the hardware that is focus to enable filmmakers and storyteller to tell their story in the best way as possible.įor any company that has some form of software technology involved, it is good to see that, that company release a SDK for third-party developers to build additional tools. I really appreciate if the ARRI development team takes this request seriously and develop this plugin. Now that iMAC Pro is here and future Mac Pro is around the corner, it make perfect sense for ARRI to make this happen. So, on behalf of the all the ARRI Fans and user, I would I would like to ask ARRI to develop some kind of plugin where FCPX can read it like how RED does it. I strongly believe if there is any kind of support of ARRIRAW in FCPX it should come from ARRI. It is simple, fast and straightforward.īut any ARRI user who uses FCPX as one of their editing workflow or even their primary workflow, they will completely appreciate editing ARRIRAW natively in FCPX, I don't think Apple will be the one implemented ARRIRAW into FCPX. I also completely understand that users would say if you want edit footages natively from ARRI on FCPX, one should use Prores 4444 or its variants. There are also third party plugin like Phantom Cine Toolkit from that can read Phantom Flex RAW files.Īpple now list them under Camera Plugins. It is fast, clean and does the job in no time.Ĭompanies like RED offers a "Red Apple Workflow Installer" I use premiere, resolve and as well as FCPX. A tool should not hinder a user trying to tell a story in the best possible way. ![]() I understand that there are various tool that can act as single workflow right from editing to colour-grading, example DaVinci Resolve. As an independent filmmaker, I would love to access and process ARRIRAW right in one single tool. I love the the looks of how shots are produced from Arri Camera. But that is not the topic that I am proposing. It can be very subjective among Directors and DOP. I understand that Arri Camera is the gold standard in the filmmaking Industry. ![]()
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